So anyway, Lisa played me Pendulum’s new album in the car at lunch time and when it got around to ‘9000 Miles’: call it love at first listen. Ch00n!
I didn’t even know Pendulum had a new album out.. I don’t really follow like.. stuff that happens in popular culture or music. Music comes to me when it comes to me, not when it’s released. I don’t listen to the radio or watch TV. I have no idea what albums are out at the moment.
When I found out Pendulum had a new album out I was apprehensive.. it could go either way. I didn’t wanna be disappointed. Hold your colour was a work of genuis. It’s always 50/50 whether an artist will be able to successfully follow up on their first album. Well let me say this.. Pendulum just laid 4 aces on the table.
For me 9000 Miles makes the album.. it is a sheer work of drum and bass genius. My only regret with that tune is that they don’t drop the pounding drum and bass groove until half way through the track. I’m sure there’ll be plenty of remixes though.
Let’s go through the tracks from the beginning..
1. ‘Showdown’ drops the addictive move-your-body dnb riffs within 40 seconds of the start of the CD. Beautiful, that’s what we want! Get you moving as soon as possible.
2. ‘Different’ just doesn’t quite have enough dancability to me, it does have some cool metal licks that remind me a little of Alice Cooper though. Good track, but not one of my favourites.
3. ‘Propane Nightmares’ starts with a brass solo and some vocals – almost sounds like it’s going to be a boring generic rock track. Then at about 1 minute the dirty drum and bass kicks in. This track is a great fusion between nice easy dance-able rock music and stomping drum and bass. Sounds like it’s got a chord sample from Dune – Million Miles from Home too. Yummy, Dancey rock, Stomping DnB and Happy Hardcore! Bring it on! This track is a classic. Again, my only problem really is that the drop comes too late. Fuck all that intro bullshit, drop the beat as soon as possible! Then drop it again, and again, and again. Make me shiver with with joy each time you drop that beat like you did in Hold Your Colour!
4. ‘Visions’ intro begins with some retro vocoded vocals, goes a bit Beastie Boys for a fraction of a second, then there’s hints of salsa. Actually this tune is a bit generic to be honest. Some people have called this album ‘dated’. I wouldn’t say that.. Pendulum is clearly cutting edge. This track is almost a dud, but then about a minute and a half in this beautiful synth starts with some nice chords and makes it all okay. There’s a nice little guitar solo at about 3 minutes too. It’s not exactly a stomper though. Good, but nothing to write home about.
5. ‘Midnight Runner’ starts off with a little reminder of the Jazz dnb craze of a few years ago. Then goes a bit psychedelic. The bass line to get you moving kicks in pretty early but you have to wait a couple of minutes before you get a real grimey beat to thrash around to. And when it comes, it’s actually a bit of a disappointment. Then yet again it’s saved by a brilliant synth lead – reminds me of the x-files or twilight zone or something. Such a simple little riff, but it saves the whole track from turning into a generic dnb filler track. There’s a nice vacuum cleaner style bass line at the end but it’s nothing new. Good dancey tune – certainly doesn’t interrupt your flow, but it doesn’t give you little chills of musical ecstasy either.
6. ‘The other side’ got an almost classical sounding intro – I think it might be ripped from some classical track actually. Wastes no time in dropping the beat though with some added psytrance style squelches! nice! The little bit before the vocals kick in reminds me of some dark warehouse rave I may have been to. Then the vocals, and rock riffs! Interesting fusion. There’s even hints of Oasis in there, but instead of a stupid whiney chorus, you get a sorta half-dnb break down. It’s interesting. I think this one’s going to grow on me. This track to me is what pop music should be. The only criticism I have is that the vocoder sounds a bit like one of those cheap guitar pedals you used to get in the 70s. Come on guys, we’ve got VST vocoders that sounds absolutely amazing and you’re using a �50 guitar pedal?!
7. ‘Mutiny’ Starts off like some bloody crap rock track from some stupid rock band whose music should be long dead and buried. Then it all goes a bit poppy. Too many power chords. Too Generic. Too much Mickey-Mousing. This is my least favourite track on the album.
8. ‘9000 Miles’ This track is a work of pure genuis. This track takes the album from ‘good’, to ‘absolutely fucking amazing’. My only gripe is that the music doesn’t even start until a minute and a half into it. It’s got some nice spanish style classical guitar riffs and some bongos to hint at what’s about to come… the drop. And fucking hell does it make you wait for the drop. ‘Good things come to those who wait’. The drop doesn’t come until 2.30! And again it’s a bit of a disappointing drop. It’s not until 3 minutes into the track that the killer synth comes in. 3 minutes into this track and lead synth starts. For me, that’s musical ecstasy right there. This track is made by the lead synth. Again it’s a fairly simple melody but it’s just brilliance. I love this track, really I do. The only thing I don’t like is that it makes you wait too long for it. Fucking use that synth as the intro, then drop the beat, then do a synth solo, then drop the beat even fucking harder, then just play that synth for 10 minutes! Fuck yeah! I’m sure there’ll be loads of remixes of this track. I’m waiting for the prog house mix.
9. ‘Granite’ doesn’t hesitate to throw you a thumpin’ dnb groove. Yes! Thank you, just what we need after 9000 miles. Pity about the lyrics though. Just shut up and give us a killer lead synth instead. There is actually a killer synth in this track – again playing a really simple but catchy melody. It’s spoiled a bit by the vocals though. Pendulum’s vocals are best when they’re either heavily vocoded or just not there.
10. ‘The Tempest’ Starts off like a fucking kiddie’s nursery rhyme. It’s all a bit too power chordy and lyrical for me. Fuck this shit give us some pounding bass for fuck’s sake!
Conclusion: Overall the album isn’t perfect. You wait way too long for the drop, and when it comes it’s often a little disappointing. Then shortly after the drop comes an amazing synth line that saves it all. Compare to Infected Mushroom who’re great at drops and there’s a big difference.
Infected Mushroom spend about a minute building you up to a brilliant drop, then spend most of the rest of the track building you up to an even more amazing drop and then you just gush with orgasmic pleasure all over the dancefloor.
In ‘In Silico’ you wait ages for the drop, then it comes and you’re a little disappointed, then finally an amazing synth comes with a few more little drops after that. The saving grace is the lead synth which just makes the whole track drip with orgasmic pleasure. Take a lesson from Infected Mushroom – build up to a drop for about a minute, then throw in that amazing synth right at the first drop, then build it up for one final orgasmic thrill towards the end of the track and just keep replaying variations on the synth line until the end.
Also, I don’t like the way Pendulum are heading towards a pop-rock style. Fucking give me stomping drum’n'bass fucksake. That’s what was so amazing about the first album. You couldn’t listen to it without dancing. That’s what I love about 9000 Miles, you just can’t help but move your body! Yes, bring me reworkings of generic rock riffs with dnb dance sexyness on top, but don’t forget to add the stompin’ dnb! And don’t forget, when you drop the beat, I wanna come all over your face with pleasure!
There are too many power chords on this album, and Mickey-mousing. Let’s just explain I mean by that.. Power chords are really simple, raw sounding chords that contain only the root and the 5th. They’re great for getting a powerful sound but there’s no depth to them. It doesn’t take me long to lose interest in tracks composed entirely of power chords. ‘Mickey-mousing’ is a term I use for whenever one part follows another too closely. Basically it’s a term I got from film studies – when the music follows the action really closely (ie, Mickey Mouse climbs up something and there’s a piano roll up the keyboard). Pendulum do this a lot in ‘In Silico’ – often the bass, the lead synth and the chords will be playing almost exactly the same notes. This is a common technique in popular music to get a catchy, simple sound. Yes, catchy good, but whatever happened to counterpoint?!
Having said that, In Silico is still a worthy contender for my top 10 albums of all time. Mainly because of ‘9000 Miles’ though.
Fucking hell I love this track. ‘9000 Miles’ has just become my favourite track of all time in the space of about 8 hours, in fact… it became my favourite track of all time immediately first time I heard it in Lisa’s car. I can’t wait until I hear it on a dancefloor. I hope I’m suitably full of drugs at the time so that I can appreciate it properly. To be honest I don’t think it matters.. I could be stone cold sober and still tear up the dancefloor to this track.






